

The snakes apparently served as "a barrier between the viewer and the artworks and imbuing the dynamics of spectatorship with a sense of the forbidden," but in the end its just a cheap trick. The ol' shock factor, staking claim to live-snakes-mimicking-line-and-gesture before someone else dares to do the same.
The work was about as mesmerizing as a screen saver, but still lured me inside with it's promises of pomp and vigor. And next up? New York's original shock star-- Ms. Marilyn Minter.
(photos via)
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