Monday, May 31, 2010

O! Pioneers

I've been reading a lot of Willa Cather recently, aligned with a weekend at home to celebrate the wedding of very dear friends. Cather's writing always shocks me in its anger for this land and its people. You would expect her to be romantic, or nostalgic at the very least, but she refrains (thank goodness) and writes with a grit that captures a young nation. She loved Nebraska, that much is clear. Yet she understood its harshness and its unfair emptiness, climate, and spirit.

I value O! Pioneers at the level that I hold Fitzgerald, Alcott, and Dickens. And, like Gatsby, Little Women, and Great Expectations, I return to this text year after year. Reading it again while here, at Griffith Prairie, with its open vistas, small valleys, steep cliffs, and uncut loess hills, I'm reminded why Cather is great and why she has been so influential to a girl from the Great Plains who, like Cather, moved to New York City despite my clear and intense affection for the vastness of this prairie.

"The great fact was the land itself, which seemed to overwhelm the little beginnings of human society that struggled in its sombre wastes. It was from facing this vast hardness that the boy's mouth had become so bitter; because he felt that men were too weak to make any mark here, that the land wanted to be let alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness."

-Willa Cather, O! Pioneers

Wednesday, May 26, 2010

Karen O at MoMA

If you ever have the chance to attend one of MoMA's parties in the garden, GO. Especially if the weather is a perfect 75 degrees, the sky is full of stars, and Karen O is singing the Where the Wild Things Are theme on a tiny stage right in front of you.

It was the type of party that I always imagined people in New York attending when growing up so far from here, reading the third chapter of The Great Gatsby so many times the pages fell from their bindings. They dress that little garden in twinkle lights and hang paper lanterns from those dripping willow trees JUST like Jay Gatsby did every summer, I swear.

It makes for a stunning evening-- so much so that you might just mistaken Midtown for East Egg, Rodin for Eckleburg, and Maps for a love song. (It isn't. It's a terrible song about a rockstar who travels the world sleeping with his fan base. Everyone knows that, but it STILL made me gasp into happy tears.)

Don't be fooled, though, into thinking that my life really looks like that, with those silly people, under those tricky stars. In the end, I have more in common with Nick Carraway than Daisy Buchanan, and one day from now I will be floating down the Loup River in Nebraska in a cow tank with a cooler. I'll be wearing mud shorts and a baseball cap, with the Yeah Yeah Yeah's blasting from my boom box. Can't wait :)

PS, Wish I had a better photo than the blur of Karen O above taken with the camera on my phone. I was apparently too busy dancing to take anything of the garden itself, whoops. And thanks again, J, for inviting me. It was just lovely.

Tuesday, May 25, 2010

SWINTON in NY Mag

Great SWINTON article in this week's NY Mag. I read the page-long piece three times on the train this morning, as I knew that anything I read after this article would probably be a disappointment. Highlight:

"If one has to be banal and think of a favorite filmmaker, mine is Robert Bresson, who so often looks at people who have never seen themselves onscreen and who of course made a film about a donkey, which I think is the greatest performance ever. The donkey. That’s what one should aspire to be: the donkey.”

Well said, SWINTON, well said.

Monday, May 24, 2010

Boys Drule.

Sidewalk art by a young neighbor of mine. I kind of want to start a club with the little sass-- we could build a fort, create a handshake, rule the world, and work on our spelling, among other things.

Saturday, May 22, 2010

Josh Goldberg at Dunham Place Salon


Last night carried me from Soho to Cobble Hill, then a stop in Brooklyn Heights, a few beers in Clinton Hill, a gallery opening in Williamsburg, and then a nightcap in the West Village. Hello, New York!

The stop that most deserves your time (not that Alison's office, or that little Thai place on Bedford don't), is Dunham Place Salon, Amanda Schneider's new Williamsburg art venture. Amanda recently opened up her enviable loft apartment for the purpose of showing art. I was fortunate enough to have been passed an invite for one of her first parties in the space before she opens her 'real' (as stated by Amanda herself) gallery later this fall, Alison and John in tow.

The artist featured was Josh Goldberg, a very talented young painter who uses shellac, enamel, flock, and gold leaf to create paintings so perfect they make your teeth hurt. His strength is held in the balance between gesture and control, subtlety and glossy brightness. Emailed forwards of his work bounced around my office Friday afternoon, trying to figure out where the gold leaf entered in these seemingly straightforward paintings. I am pleased to report that it is used in the cleverest of ways-- he builds a thin layer on the canvas's top ledge that quite literally makes the work glow.

It's such a small detail in an otherwise perfectly fine execution. If you didn't know it was there, you wouldn't have known why these canvases seem a bit ethereal, a bit... well... breathtaking. Congrats you two, can't wait to see what comes next.

Alright, off to the East Village check another neighborhood off the ol' list and to drink spiked Arnold Palmers on a patio all afternoon. Cheers, New York.

Wednesday, May 19, 2010

William Powhida


I LOVE HIM.

Cobble Hill in the Morningtime

Want to join me on my morning walk?
There are lots of Brownstones, that will always remind me of Sesame Street.
And the Cosby Show.
This morning my little neighbor friends were learning about butterflies.
I joined them for a bit.
We have a dolphin in the playground...
...and lots of crawling ivy...
...and fire escapes that look like tinkertoys...
...and a blue tarp that created a fort.
And at the end of my walk, there is an art store that sells invisible dogs.
Not a bad ten minutes at the top of my day.